The Secret Ingredient to Telling a Story is Human Emotion

Fairy tale storytelling with open book concept: AI image downloaded from Freepik

Storytelling is a fundamentally human endeavour. While the specific genres and formats may change over time, the core purpose remains constant — to connect with our audience on an emotional level.

When I analyse why certain stories resonate while others fall flat, I keep coming back to this essential element of emotional truth.

A story without heart is one without power.

Technical proficiency in writing or filmmaking is important, but cannot salvage a tale that fails to make the audience feel.

We craft narratives to explore the deepest questions and experiences of what it means to be human. Fear, love, loss and triumph — it is through these emotions that we find shared meaning in this wild world.

This truth was driven home to me while workshopping a recent script.

On paper, the plot mechanics seemed solid—likeable heroes, compelling obstacles, and escalating stakes.

Yet no matter how many drafts or critique sessions there were, something felt hollow at its core. The characters danced through the motions without gravitating towards anything truly meaningful.

It wasn’t until an insightful beta reader pointed out the lack of vulnerability that the issue came into focus. We were showing our protagonists how to overcome challenges, but not revealing what those challenges meant to them on a personal level.

Their triumphs felt empty because we hadn’t established what was truly at stake in their struggles.

From that insight, a foundation of emotional truth began to emerge.

By excavating our characters’ inner lives and laying bare their hopes, fears and fractures, the story transformed.

Where before the challenges had an air of detachment, now each hurdle represented something deeply felt. The audience came to care not just about outcomes but also about the people experiencing them.

This lesson reinforced for me that technical craft alone is not enough.

No matter how well-plotted or stylishly rendered, a story will fall flat without humanity at its core.

We do not come to narratives merely for diversion or to see clever puzzles solved—we come in search of mirrored reflections of our own experiences.

We want to feel seen, to have our emotions echoed even in fantastical worlds and scenarios.

The secret, then, is not plot mechanics or technical skill, but emotional truth.

A story’s power comes from its ability to make audiences feel as if they have glimpsed something meaningful about the shared experience of being human.

We craft tales not merely as a mental exercise but as a way to explore profound questions about life, love, fear, and finding purpose.

Where we lay ourselves emotionally bare is where we invite audiences in and compel them to join our journey.

This is true not just of fiction but of any form of storytelling—be it an essay, video, or speech.

The adage “write what you know” certainly applies here.

To craft compelling narratives, we must draw from our own wells of lived emotional experience.

The stories that stick with people are often those that illuminate shared pain or triumph in a new light. There is catharsis to be found in reflected truths, in seeing one’s own struggles echoed even in wildly different tales.

Of course, baring our emotional souls also opens us up to vulnerability.

In workshopping my own writing, I’ve found it easy to critique flaws in others’ stories while shielding my own from scrutiny.

Yet pushing past such protective instincts is key both to strengthening one’s craft and to creating the kind of empathetic storytelling that connects with audiences.

It requires an openness not just to feedback but also to self-examination.

Laying our emotional truths bare means confronting our own imperfections and growing edges, addressing the parts of human nature we may find uncomfortable. But it is precisely in such vulnerabilities that audiences see themselves and therefore find meaning.

A story tells most when it reveals as much about its teller as its subject matter.

So the next time you set out to craft a narrative, I encourage delving into your own well of emotion.

Lose yourself in your characters’ inner lives—what do they love? fear? strive for?

In showing their depths and fractures, you reveal common pains and hopes. From such intimacy stems the universality through which audiences find reflections of themselves and, therefore, are moved to join your journey.

Technical skills are earned through practice, but emotional truth comes only through honesty—with oneself as much as one’s audience.

Lay yourself bare, and in so doing, welcome others in from the cold.

There, your stories will find life, and hearts will follow.

Ours is an ancient art, but its purpose remains to share the full spectrum of human experience.

In baring our souls lies our power to move others.


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